Gregory Peck won the Oscar that year for Robert Mulligan's "To Kill a Mockingbird." Preston's is the better performance of the two, but really, where does one begin to compare? However, with the Willson musical, director Morton DaCosta provided Preston with an awesome second act.
Preston went on to do the incredible work in a dazzling array of films - Sam Peckinpah's "Junior Bonner," Sidney Lumet's "Child's Play," Michael Ritchie's "Semi-Tough," Gene Saks' "Mame," Nick Castle's "The Last Starfighter" (his final film) and, of course, two with Blake Edwards, "Victor/Victoria" and "S.O.B." Then there are two titles that bookend his performance in the movie version of "The Music Man' - the film versions of two other stage productions, both films apparently now lost.
They would be "The Dark at the Top of the Stairs," based on the William Inge play and shot immediately prior to "The Music Man" (and for the same studio, Warner Bros.), and Tad Mosel's "All the Way Home," adapted from James Agee's Pulitzer Prize-winning novel, "A Death in the Family."
”The Stripper” and he also wrote the screenplay for Elia Kazan's "Splendor in the Grass" (1961), in which Inge also plays the small on-screen role of a minister who counsels Natalie Wood.
Kazan also directed the Broadway version of "The Dark at the Top of the Stairs," which opend at the Music Box Theatre on December 5, 1957, with a cast including of Pat Hingle (in the role that Preston would play on film), Teresa Wright and Eileen Heckart. Once again, we have another dysfunctional family drama about a man who, in middle age and out of work, tries to compensate for a lack of self esteem by cheating on his wife with another woman in another town.
The 1960 movie version, directed by Delbert Mann from Harriet Frank, Jr.'s adapation, cast Dorothy McGuire in the part created on stage by Wright, and replaced Heckart with Eve Arden. Angela Lansbury has a supporting role in the film, and a young Shirley Knight was an Oscar nominee for her debut performance.
Preston, meanwhile, walks the tricky, balance-testing demands of a man teetering between our sympathy and disregard. He's likable but do we like him? (One could stretch this part, seeing it as a somewhat lighter variation on "The Music Man.") It's a testament to Preston's talent that he pulls it off.
Set in Tennessee in the early 1900's, "All the Way Home" revolves around a man's sudden, accidental death and the ramifications that it has on his family, especially his young son.
The 1963 Paramount film version, directed by Alex Segal from a Philip H. Reisman Jr. adaptation, starred Preston as the father and Jean Simmons as his wife; Pat Hingle (again) as his brother and, recreating her Broadway role, the great MacMahon as Aunt Hannah. Michael Kearney played the boy, a role performed on Broadway by John Megna, a New York child actor best known for his role on film as Dill in "To Kill a Mockingbird."
Due to its narrative arc, Preston has a smaller role here, but even when he is not on screen, his presence is always felt, a crucial quality for a play/film that examines the process of mourning and the heartache that makes it almost impossible to heal. Another piece of lost filmmaking art, and yet another performance by Robert Preston, that begs to be seen.
Regarding Comments: All comments are enthusiastically appreciated but are moderated before publication. Replies signed "unknown" or "anonymous" are not encouraged. Please sign any response with a name (real or fabricated) or initials. Be advised that a "name" will be assigned to any accepted post signed "unknown" or "anonymous." Thank you. -J
~Preston with his wife Catherine Craig backstage at the Majestic Theatre where "The Music Man" had opened in 1957
~Preston with Dorothy Maguire in a scene from Delbert Mann's film of "The Dark at the Top of the Stairs"
~photography: Warner Bros. 1960©
~Preston with Jean Simmons and Michael Kearney in Alex Segal's "All the Way Home"
~photography: Paramount Pictures 1963©
~Poster art for "All the Way Home"
~Preston and Simmons in a scene from"All the Way Home"
~photography: Paramount Pictures1963©