Wednesday, May 29, 2013


After having successfully mangled Shakespeare and the movie musical, Australia's One-Trick Wonder has set his sights on arguably the definitive American novel - F. Scott Fitzgerald's "The Great Gatsby."

With results that are both expected and surprising.

The film's first 20 minutes or so - a graphic depiction of the parties hosted by mega-millionaire Jay Gatsby (who has the good sense not to attend any of his own soirées) - are suitably grotesque, as if they were staged by Busby Berkeley if Berkeley had access to Ecstacy.

But once the filmmaker gets all of the insistent noise and clutter out of his system, his film settles down - surprise! - and actually tries to tell Fitzgerald's classic cautionary tale of a life tragically misspent.

The problem is, this is where the actors come in and, unfortunately, this particular filmmaker is a bad director of actors.  Only Leonardo DiCaprio as Gatsby has any actorly power here, largely because he's Leonardo DiCaprio, the best of our young character actors and someone smart enough to know which directors and direction to heed.  Tobey Maguire plays Nick Caraway as a pubescent, while Carey Mulligan is just about a total washout as Daisy, her line readings jaw-droppingly unmemorable.  Meanwhile, poor Isla Fisher is in way over her head in the drastically watered-down role of Myrtle, who is now little more than a Kewpie Doll.  

That said, take a second look at Jack Clayton's sublime 1974 "Gatsby," with Sam Waterston as the real Nick Caraway, Karen Black doing wonders as Myrtle, and Mia Farrow reading Daisy's lines the way they're supposed to be recited. Farrow also plays Daisy as slightly unstable. Delicious.

I could go on but won't.  I've whetted my own appetite to watch Robert Redford and Farrow in a "Gatsby" that's actually watchable.


Alex said...

Well put! I especially like your assessment of Luhrman as a one-trick wonder.

a.n. said...

beyond bedazzling....i wanted more. It seemed a contemporary version of the 1920s, it lacked the soul of those times. When you add rap/club music to a flapper party, it could be NYE or a halloween party, 21st century. What about keeping it a Jazz movie, songs from the times? Too frothy, too music video, too much. The acting was good overall. I failed to see what was so captivating about Daisy, except she cries too muchand pulls a depreciating moue now and then. Myrtle who had more depth in the book, was reduced to being a gas station hooker. It was a good movie, just lacked on the excecution.
One thing I did like was how they incorporated how Gatsbys story came to be, typewritten letters on the screen and the finished novel in the end.

jeri said...

Absolutely awful. I had hoped for a more lively update to Redford/Farrow but got "Twinkies On Parade"... Full of f=delicious creme fillings but no solidity to the containers. I can usually ignore the plot, acting and direction where Ms. Mulligan is concerned, but she was so completely bland in her affect and deliveries that I began to wonder if there was only a false front on screen and what then did with the rest of her persona while she wasn't projecting it.

The only possible redemption could have been the delivery of the story itself, but after an hour and that incredibly silly reunion scene between Gatsby and Daisy, I just gave up expecting anything to actually be of value and just enjoyed the (2-D) visuals. For the stereoscopically enabled, perhaps this might have been prettier to watch, but it was sufficiently well-photographed to make it sit-through-able, albeit with a lot of fidjiting.

Also, whoever thought that adding rap to a Jazz Age setting was a good idea needs a psychiatrist.

All-in-all a major disappointment. Sorry.