The scene: Muriel Blandings (Myrna Loy) going over color schemes with Mr. PeDelford (Emory Parnell), a contractor working on her house-in-progress, and Charlie (Don Brodie), a painter who will do the work...
Muriel: "I want it to be a soft green, not as blue-green as a robin's egg, but not as yellow-green as daffodil buds."
Mr. PeDelford (in agreement): "A-ha."
Muriel: "Now, the only sample I could get is a little too yellow, but don't let whoever does it go to the other extreme and get it too blue. It should just be a sort of grayish-yellow-green."
Mr. PeDelford (repeating himself): "A-ha."
Muriel: "Now, the dining room. I'd like yellow. Not just yellow; a very gay yellow. Something bright and sunshine-y. I tell you, Mr. PeDelford, if you'll send one of your men to the grocer for a pound of their best butter, and match that exactly, you can't go wrong!"
Mr. PeDelford (repeating again): "A-ha."
Muriel: "Now, this is the paper we're going to use in the hall. It's flowered, but I don't want the ceiling to match any of the colors of the flowers. There's some little dots in the background, and it's these dots I want you to match. Not the little greenish dot near the hollyhock leaf, but the little bluish dot between the rosebud and the delphinium blossom. Is that clear?"
Mr. PeDelford (almost robotic now): "A-ha."
Muriel: "Now the kitchen is to be white. Not a cold, antiseptic hospital white. A little warmer, but still, not to suggest any other color but white."
Mr. PeDelford (clearly growing weary): "A-ha."
Muriel: "Now for the powder room - in here - I want you to match this thread, and don't lose it. It's the only spool I have and I had an awful time finding it! As you can see, it's practically an apple red. Somewhere between a healthy winesap and an unripened Jonathan. (There's commotion in the background.) Oh, excuse me..."
Mr. PeDelford: "You got that, Charlie?"
Charlie: "Red, green, blue, yellow, white."
Mr. PeDelford: "Check!"
-written by Melvin Frank and Norman Panama, from the novel by Eric Hodgins.