Sunday, September 01, 2013

George Kaplan


It's called Sundays with Hitch and it's on Turner Classic Movies all month, starting today.  43 titles in all.  Knock yourself out. Say no more.

Sunday, September 1
10 a.m. – Murder! (1930)
Noon – Rope (1948)
1:30 p.m. – Spellbound (1945)
3:30 p.m. – Marnie (1964)
5:45 p.m. – The Birds (1963)
8 p.m. – Shadow of a Doubt (1943)
10 p.m. – Psycho (1960)
Midnight – The Lodger (1926) – A TCM Silent Sunday Night Presentation
2 a.m. – Blackmail (1929) – TCM Import Presentation
3:30 a.m. – Frenzy (1972)

Sunday, September 8
10 a.m. – Under Capricorn (1949)
Noon – Stage Fright (1950)
2 p.m. – I Confess (1953)
4 p.m. – The Wrong Man (1956)
6 p.m. – Saboteur (1942)
8 p.m. – Foreign Correspondent (1940)
10:15 p.m. – North by Northwest (1959)
12:45 a.m. – The Ring (1927) – TCM Premiere – A TCM Silent Sunday Night Presentation

Sunday, September 15
10 a.m. – Number Seventeen (1932)
11:15 a.m. – The Trouble With Harry (1955)
1:15 p.m. – Family Plot (1976)
3:30 p.m. – The Man Who Knew Too Much (1956)
5:45 p.m. – Vertigo (1958)
8 p.m. – Rear Window (1954)
10:30 p.m. –      To Catch a Thief (1928)
Midnight – The Farmer’s Wife (1928) – TCM Premiere – A TCM Silent Sunday Night Presentation  

Sunday, September 22
10 a.m. – The Skin Game (1931)
11:30 a.m. – Lifeboat (1944)
1:15 p.m. – The Lady Vanishes (1938)
3:15 p.m. – Topaz (1969)
5:45 p.m. – Torn Curtain (1966)
8 p.m. – The 39 Steps (1935)
9:30 p.m. – Sabotage (1936)
11 p.m. – The Dick Cavett Show: Alfred Hitchcock (1972)
12:15 a.m. – Champagne (1928) (also Silent Sunday Night)

Sunday, September 29
10 a.m. – Rich and Strange (1932)
Noon – Mr. and Mrs. Smith (1941)
2 p.m. – Suspicion (1941)
4 p.m. – Strangers on a Train (1951)
6 p.m. – Dial M For Murder (1954)
8 p.m. – Rebecca (1940)
10:15 p.m. – Notorious (1946)
12:15 a.m. – The Manxman (1929) – TCM Premiere – A TCM Silent Sunday Night Presentation

2 comments:

Alex said...

Can't wait!!!!

wwolfe said...

The happy discovery for me was "The Farmer's Wife." It had several wondefully composed shots of the English countryside, interesting (and unexpected) twists when it came to the responses to the farmer's several marriage proposals, and a really good performance from the actress who wound up as the farmer's wife, Lillian Hall-Davis. Sadly, she had a very difficult life following this movie, with an even sadder end.