Wednesday, January 16, 2013

cinema obscura: Harold Prince's "Something for Everyone" (1970)/James Lapine's "Impromptu" (1991)

Theater directors rarely get any credit when they venture into film. Case in point: I loved what Morton DaCosta did with the film versions of plays that he originally directed on stage, "Auntie Mame" (1958) and "The Music Man" (1962). Both are noteworthy for their fidelity to their stage predecessors and yet are impressively cinematic.

DaCosta would direct only one other film - 1963's now-forgotten "Island of Love," starring Robert Preston, Tony Randall and Walter Matthau.

You could say, "That was then, this is now." But matters haven't changed.

Harold Prince made what I thought was an auspicious film directing debut with the delicious 1970 Angela Lansbury-Michael York black comedy, "Something for Everyone," one of those sophisticated sex comedies in which the randy young hero (York) sleeps his way through every member of a family (shades of Pasolini's "Teorema" with Terence Stamp).

The film is just about impossible to see nowadays, although Prince's second (and last) film, a truncated version of the Sondheim musical, "A Little Night Music," has been available on DVD.

The estimable James Lapine, meanwhile, made one of the best films of 1991 - now also forgotton, of course - with "Impromptu," a randy farce about the affair between Frederic Chopin (Hugh Grant) and George Sand (Judy Davis, alas, in oneof her last great film roles). Mandy Patinkin, Bernadette Peters, Emma Thompson and Julian Sand round out the cast.

I can't think of anything wrong with this film.

Lapine subsequently filmed the Michael J. Fox-Nathan Lane show-biz comedy, "Life with Mikey" and the Anne Tyler adaptation for HBO, "Earthly Possessions," sarring Susan Sarandon and Stephen Dorf.

If rep houses still existed and had resourceful bookers, "Something for Everyone" and "Impromptu" would make a great double-bill.


Chris said...

Is it a sign of being over-the-hill when one remembers seeing "Something For Everyone" in the theater?

I remember thinking that it was a great *idea* for a film, but that it didn't really work -- Harold Prince's cluelessness as to what to do with a camera being a prime factor. I wanted it to be a combination of "My Man Godfrey" and Joe Orton's "Entertaining Mr. Sloan," which the Prince-directed film never *quite* became.

I saw it in a revival house on a double-bill with the Fosse-directed "Cabaret," and I remember that both films -- along with all their other elements in common -- featured seduction scenes where the two lovers were surrounded by candles and candles.

As for the phenomenon of stage directors turned movie directors ... where would, say, Nicholas Hytner or Des McAnuff fit into this?

And I remember seeing Walter Matthau on Dick Cavett's show (are we dating ourselves sufficiently?) talk about "Island of Love." Apparently his character used a funny voice, and it was directly modeled on that of director DaCosta ... but neither DaCosta nor anyone else got around to acknowleding it

joe baltake said...


Frankly, my memory of "Something for Everyone" has dimmed but I recall liking it a good deal, its directorial shortcomings nothwithstanding. (BTW, I can barely tolerate "Cabaret.")

I had no idea that Matthau modeled his vocal performance in "Island of Love" after its director Morton DaCosta. I'll have to listen closely - if I ever get to see the film again. Trivia: DaCosta is the voice of Patrick's father, narrating the contents of his will at the beginning of "Auntie Mame."

Re the two directors you mention, I expected more from Des McAanuff in terms of movies by now, and I think that Nicholas Hytner has an interesting, if limited, filmmography.

Alex said...

"Something for Everyone" is one of guilty pleasures. Got a VHS copy of it on eBay about a year ago. This film should be seen by more people. It should be a cult film by now

j. russo said...

I haven't seen "Something For Everyone," but I very much liked "Impromptu" when I rented it many years ago - most probably in 1992, when it would have been released on video. As I recall, it even got good reviews, so I wonder why it's never made it to a DVD release. It's nice to see it spotlighted here, in any case.

Kenny said...

I'm a fan of "Impromptu." Nice to know there are others.

"Something for Everyone" used to show up at rep theaters in NYC around 1980. Now I wish I'd taken the time to see it.

Jennifer Banks said...

I thought Judy Davis would become a major star after "Impromptu." What happened? I only see her in supporting roles and on TV.

Jean-Pierre said...

IMPROMPTU is available on DVD, and has been for years: it's gone through several changes in cover design, but, aside from that, it's available from MGM.

I also loved the movie, and it's the kind of movie which, if it had been a big success, would have made Judy Davis a big star. But it didn't happen.

Cassie said...

Love, love, love "Impromptu," definitely Judy Davis' movie. Brilliant screenplay by Sarah Kernochan (spouse of Lapine) that uses Davis' butch and femme qualities. I could live without Hugh Grant's painfully awful Polish accent, but Lapine also teases out his femme qualities in an interesting way.

wwolfe said...

"If rep houses still existed..." Ah, what a melancholy phrase. The New Beverly Cinema still hangs on, I'm happy to say, but long gone are Theater 80, the Thalia, and the Regency, where I saw lietrally thousands of wonderful old movies.

D said...

I have very fond memories of Something For Everyone, I remember seeing it a few times when it first came out ( and I did as well) . I bet it probably hasn't aged well but it does offer a chance to see Ms Lansbury in her sleek decadaent phase and I remember well here sensual and hurried devouring of a serving of fresh strawberries. I think you can add Peter Hall, Trevor Nunn, and Peter Brook to the list of theatre directors who didn't make an easy transfer to films. McAnuff tried and was given a few opportunities (Cousin Bette?) but his films lack the energy and inventiveness that he is (sometimes) able to bring to the stage. Hytner has publcly acknowledged that he's not a natural filmmaker. I think Lapine could probably have made a transition to film but both Imprmptu and Life with Mikey weren't hits and that makes that sort of career transition difficult.