Nearly a decade before "Glee," this was Todd Graff's “Camp,” a disarming 2003 film about a musical-theater camp for kids. The movie includes bits from a couple dozen songs by the likes of Mick Jagger, Keith Richards, Stephen Sondheim and Winnie Holzman, but the highlight is the full staging of a number from the Hal David-Burt Bacharach musical-comedy, "Promises, Promises," with choreographer Jerry Mitchell recreating Michael Bennett's dance moves from the Broadway original. This is about as close as "Promises, Promises" will ever get to the big screen. 
Perhaps the most unlikely dance team - Debra Winger and Nick Nolte - hoot it up in this charming scene from David S. Ward's 1982 film of "Cannery Row."
Fosse. Again. Yes. His 1969 film adaptation of "Sweet Charity" was written off in its day. Hastily so. And so was Fosse as a filmmaker. For some bizarre reason, the overrated "Cabaret" changed all that. But "Charity" is the better film. As this sequence demonstrates.
“Footloose.” 1984. Directed by Herbert Ross. This is for Chris Penn.
Peter H. Hunt's 1972 film of "1776" becomes more impressive with each viewing - a most accomplished musical film. Sherman Edwards' score is at once literate and catchy, lending itself to two particularly wonderful choreographic triumphs by Onna White.
The number: “He Plays the Violin”
Few television remakes of musicals already made for the big screen are worthwhile. The rare exception is Gene Saks' 1995 TV version of 
George Sidney, a hit-or-miss filmmaker, outdid himself with his sterling 1953 adaptation of Cole Porter's "Kiss Me, Kate.” A film of many musical highlights, "Kate" offered up one in particular that deserves to be called classic - the twirling, spinning "From This Moment On" number.
Granted, this is an eclectic pick. I'm talking about the school-dance number in James Foley's 1984 answer to "Rebel with a Cause."
John Huston's 1982 film version of "Annie" is as wildly underrated - by critics - as Rob Marshall's dull 1999 TV version is overrated.
Ever creative, Danny Boyle elected to end his 2008 wonder, "Slumdog Millionaire," a raw, unstintinly realistic slice of life, with a rousing and quite unexpected production number danced by what seems like hundreds of performers, led by the film's two attractive young stars.